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Ethan Jodziewicz Caramoor Center for Music and the Arts June 22

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Caramoor

U.Due south. National Register of Historic Places

U.S. Historic district

A gold-colored building with a red tiled roof and arches, pavilions and towers. There is an intermittent snow cover on the lawn in front, and two bare trees.

E top of Rosen House, 2008

Location Katonah, New York
Nearest city White Plains
Coordinates 41°14′twenty″N 73°38′49″W  /  41.23889°N 73.64694°W  / 41.23889; -73.64694 Coordinates: 41°fourteen′20″Due north 73°38′49″W  /  41.23889°N 73.64694°W  / 41.23889; -73.64694
Area 81 acres (33ha) [1]
Congenital 1929–39 [1]
Builder Christian Rosborg, Mott B. Schmidt
Architecturalmode Renaissance Revival
NRHPReference# 01000548
Added to NRHP March 25, 2001

Caramoor Center for Music and the Arts is a former estate virtually Katonah, New York U.s., which is about 50 miles (80km) n of New York City. Shortly, it is a live music venue featuring symphonic, opera, bedroom, American roots, and jazz, performances along with the celebrated domicile. Both are legacies of the business firm's original owners, Walter and Lucie Rosen. [2] The Caramoor Summer Music Festival is held at that place every summer. It besides runs educational programs, and can exist rented for events such as weddings.

The Rosens built the estate gradually during the 1930s, its primary house an faux Italian villa. Many pieces of the buildings were imported from various European countries. [iii] The breezy musical performances they hosted evolved into the commencement of Caramoor'due south current offerings in 1945, and their collection of Renaissance-era and Chinese artworks, some rare, is on display throughout the estate. Lucie Rosen later donated information technology to the private organization that runs information technology today. In 2001 it was listed on the National Annals of Celebrated Places.

Buildings and grounds

Caramoor is an 81-acre (33 ha) parcel on Girdle Ridge Route simply east of the NY 22 state highway east of the hamlet of Katonah in the Town of Bedford. The surface area is primarily residential, with houses on similarly large lots amongst wooded, gently rolling terrain. The John Jay Homestead State Historic Site, a National Historic Landmark, is a short distance to the northwest along Route 22. [i]

The Caramoor manor became a middle for the arts and music following the World State of war Two decease of the son of its owners, Walter and Lucie Rosen. The couple donated the belongings in their son's memory, and it quickly became an established summer festival. There are 12 total contributing resource on the manor—seven buildings, one site, and four structures. An additional building, the Venetian Theater, was built after the estate became the performing arts center. Information technology is as well mod to exist considered contributing. [1]

Rosen Firm

A curving driveway leads by modest stone archway posts and through an electrical entrance gate at a loftier deer fence through Caramoor's wooded perimeter into a primal cleared expanse, dominated by the Rosen Business firm on a slight rise to the south. A branch leads to other outbuildings.

The Rosen House is a stucco edifice rising two stories a poured concrete foundation with a red tiled roof in a variety of asymmetrical gable and hip configurations and irregular fenestration. A high curved wall at the southwest corner connects to the servants' quarters in that direction. A terrace with stone balustrade extends from the dining room on the east; another terrace is located off the master bedroom on the southeast. The flagman's apartment, its minor yard surrounded by a loftier wooden fence, is located at the southwest corner. A southward wing, built later on the Rosens' deaths to house rooms from their apartment in New York is not-contributing. [1]

At the centre is the Castilian Courtyard, surrounded by a curtilage with 12th-century Byzantine columns, [4] reached by a big stone arched entryway in the center of the south wall. The cloister, a 1-story colonnaded open walkway, to let the courtyard'southward apply as the principal entrance to the house. In the center is a big fountain; a clock is on the second story near the master gate. [1] When used for musical performances during the festival, it seats 500. [five]

Rooms are generally entered from the courtyard or narrow hallways along the outside walls. About are finished in the manner of the business firm, with stucco walls and coved ceilings. Much of the piece of furniture and decoration, sometimes comprising entire rooms, was brought by the Rosens from England, France, Italian republic and Spain. The 2nd floor, less extensively decorated and primarily sleeping room space, is as well mostly original. The basement, under the kitchen wing, has storage infinite and a garage. [1]

Amidst the rooms with notable effects and decor are the Burgundian Library. It has a vaulted blue ceiling decorated with 13 Biblical scenes, and 65 other paintings on the doors and walls. The Cabinet Room has lacquered panels originally created for the Palazzo Riccasoli in Turin during the 18th century. [6]

Chinese wallpaper made for the European market in the 18th century decorates the dining room, complemented by one of the only two eight-fold Chinese jade folding screens in the world, a Qing Dynasty work depicting the Taoist Hills of Immortality in 40 panels with a aureate teak frame. Around the table are reddish lacquered chairs fabricated by an English cabinetmaker for a Castilian castle. More Chinese wallpaper is found in the Reception Room, with furniture from a Venetian dress shop. In the master sleeping room is a gilded bed that once belonged to Central Maffeo Barberini, later Pope Urban VIII. [6]

The largest room, the Music Room, is located at the north end. Information technology is 40 by 80 feet (12 past 24 one thousand) with a xxx-foot-high (nine.one m) ceiling. Originally the living room, the furniture has been moved to the westward side and removable seating installed on movable risers. A large stage is located at the west terminate. [1] It seats 172 and is used for music year-round. [5] Its art includes a 16th-century Florentine cassapanca, an extensive collection of Urbino majolica, a 13th-century head of Guan Yin, a Lucas Cranach the Elderberry painting and can-enameled terra cotta reliefs from the studio of Andrea della Robbia. [6]

Outbuildings and gardens

Fastened to the Rosen House via a connecting wall is the servants' quarters. Architecturally similar, information technology is a two-story building with its ain entrance to the courtyard. It now serves as the Caramoor Heart'southward offices. [1]

The second-largest building on the property is the Venetian Theater, along the primary entrance bulldoze. It was added in the belatedly 1950s expressly equally an boosted music venue past enclosing a brick stage already in the garden with a colonnade. A large tent roof is in place to shelter the audience, and a restroom fly similar to the Rosen House projects from the west end. [ane] It seats ane,546 and is the principal venue for musical performances. [five]

Near it is the Sunken Garden, a holdover from the estate owner who preceded the Rosens. It was planted around 1912, making information technology the oldest feature of the estate native to it. It is enclosed by stucco walls on three sides, with stairs and intersecting walkways leading to its blossom beds. The big planted "Medieval Mount" at the rear has congenital-in concrete benches. [ane] [seven]

The Venetian Circle on the east of the garden is framed by a pair of 17th-century Swiss gates. They are topped with Pegasus heads sculpted by Malvina Hoffman. Two paths lead to and through other gardens. From the Juliet Gate, manufactured in 17th-century Italy, the Cedar Walk leads 300-foot (91 m) path through the high eastern and western cedars of the Woodland Garden to the Italian Pavilion, formerly the viewing expanse for a nearby tennis court, now bricked over. The Butterfly Garden in that location, based on a Filippo Brunelleschi blueprint, features plants that support all stages of butterfly evolution. Nearby is the Cutting Garden, just exterior the greenhouse and cottage, where Caramoor's horticultural staff cultivates cutting flowers for planting. A longer wooded path leads through the Theater Garden'south tall trees to a large Victorian urn. [1] [7]

A former dovecote, moved from the Spanish Courtyard to a location s of the house, [i] has been converted into a fountain. It now serves equally the heart of the Sense Circle, designed to exist enjoyed past the visually impaired. The fountain makes pleasant sounds, and the plants around it entreatment to the other three senses, with some even being edible. [vii]

Other outbuildings around the belongings include a stable, two cottages, accompanying garages and a storage shed. All are contributing, dating to the 1930s, and are architecturally similar to the Rosen Firm. The landscaping is included in the Annals listing too. [1]

History

A native of Berlin, Walter Rosen emigrated to the United States with his parents in 1885, at the historic period of 10. He was well-educated, developing an early interest in music and art, and graduated from Harvard three years later on entering it at a young historic period. 3 years later, he became one of the founding partners of the law firm of Underwood, Van Vorst, Rosen and Hoyt. After some other iii years, in 1901, he left to bring together a customer, the Ladenburg Thalmann banking company. [one]

He remained there for the residual of his life. In 1914 he married Lucie Bigelow Dodge, a woman who had grown upwards in an flush New Jersey family and shared his passion for music and art. On vacations and business trips to Europe, they collected many of the artworks that are now at Caramoor. [ane] [8]

They bought the belongings in 1928. John Hoyt, one of Walter Rosen's former police force partners, knew they were looking for a country retreat and told them about his mother'southward estate, named Caramoor as a contraction of her proper noun, Caroline Moore Hoyt. The Rosens visited and were greatly taken by the Sunken Garden and its cedars, meant to imitate the cypresses of Italian republic. [viii]

Originally, the Rosens intended to tear downwards all but the garden and build a Florentine-style palazzo. [9] The Low forced them to reconsider those plans, and instead they slowly remodeled the existing farm buildings on the site into the current estate, which at 1 point was 117 acres (47 ha). By 1939 that work was complete. Builder Christian Rosborg is credited with the blueprint, closely supervised by the Rosens, whose townhouse on Manhattan'south East Side had been redone in a French Renaissance style before they moved in. [1] [eight]

In 1940 they began hosting musical performances for their friends in the Music Room. Iv years later, when their only son Walter died in World War II while serving in the Royal Canadian Air Force, they decided to dedicate the balance of their own lives to preserving Caramoor's musical legacy. They established the Heart in 1946 and began hosting performances open to the public. [one] [8]

7 years after Walter Rosen died in 1951, the performances had become so popular information technology became necessary to add the third venue, the Venetian Theater, most the Sunken Garden the Rosens had preserved from the prior estate. The house was opened to public tours in 1970, ii years after Lucie Rosen died. Architect Mott B. Schmidt designed a new wing in 1974 to house rooms from the Rosens' New York City apartment and expand the art drove on display. [1] [8]

The tent roof and floor were added to the Venetian Theater later to allow its use in inclement weather. The restroom wing was added later. The Sense Circle was created after the dovecote was moved to its post-obit pigeon problems in the late 1980s. There have been few meaning changes to the buildings and gardens other than those. [1]

Programs

Caramoor's offerings are primarily classical (the Orchestra of St. Luke'south has been in residence there since 1979) [x] and operatic. During the Caramoor Summer Music Festival, on Thursdays through Sundays from June to Baronial, jazz, bluegrass and popular artists have performed besides. [xi] Concerts go along twelvemonth-circular presented in the Music Room. [eleven] In 2005 the festival staged Joseph Schillinger'south "Showtime Airphonic Suite", with Lydia Kavina, great-niece of theremin inventor Leon Theremin, every bit the soloist on that musical instrument [12] (Lucie Rosen, an enthusiast of the theremin, was an accomplished performer on it herself, and she and her married man were for a time Theremin's patrons. The center'due south collection includes some of her instruments, including a highly advanced one Theremin gave her before long earlier leaving the U.Due south. in 1938). [thirteen]

Caramoor likewise has extensive educational programs. Since 1986, an boilerplate of 5,000 students take in some way been involved through these education efforts. They range from programs for schoolchildren that, in addition to music, innovate them to Renaissance culture and Chinese art. [14] Programs for musicians include mentoring from distinguished artists and the Ernst Stiefel Cord Quartet-in-Residence. [15]

Picnic lunches are available for visitors who wish to wander the grounds before a operation. [16] The facilities can exist rented out for events such as corporate retreats and photo shoots; [17] weddings are a particularly popular employ, with The Knot having chosen Caramoor as ane of its favorite places for the ceremony and reception. [eighteen]

See as well

  • National Register of Celebrated Places listings in northern Westchester County, New York

References

  1. ane 2 three 4 5 6 seven 8 9 10 eleven 12 13 14 fifteen 16 17 eighteen xix 20 Shaver, Peter (October 25, 2000). "National Register of Celebrated Places nomination, Caramoor". New York State Function of Parks, Recreation and Historic Preservation. Retrieved July one, 2010.
  2. ↑ Glinsky, Albert (2000). Theremin: Ether Music and Espionage. Urbana, Illinois: University of Illinois Press. p.288. ISBN0-252-02582-2.
  3. ↑ Ames, Lynne (October 19, 1997). "The View From: Katonah; For Costume Fanciers, Royal Fantasy Fashions". New York Times . Retrieved July 12, 2010.
  4. ↑ "Lectures & Tours". Caramoor Heart for Music and the Arts. 2015. Retrieved December 15, 2015.
  5. one 2 3 "Venues". Caramoor Center for Music and the Arts. 2015. Retrieved December 15, 2015.
  6. 1 2 3 "Arts & Civilisation Drove". Caramoor Center for Music and the Arts. 2015. Retrieved December 15, 2015.
  7. 1 ii 3 "Gardens". Caramoor Eye for Music and the Arts. 2015. Retrieved Dec 15, 2015.
  8. 1 ii 3 4 5 "History". Caramoor Eye for Music and the Arts. 2015. Retrieved December xv, 2015.
  9. ↑ Moonan, Wendy (June 29, 2001). "How the Rosens of Caramoor Built Their Collection". The New York Times . Retrieved July 4, 2010.
  10. ↑ "MUSIC; A Courting of Conductor and Orchestra". New York Times. 2002. Retrieved Dec xv, 2015.
  11. 1 two "Music". Caramoor Heart for Music and the Arts. 2015. Retrieved December 15, 2015.
  12. ↑ Beckerman, Michael (Baronial 11, 2005). "Electronica From the 1920s, Ready for Sampling". The New York Times . Retrieved July 5, 2010.
  13. ↑ "Lucie's Theremin". Caramoor Center for Music and the Arts. 2015. Retrieved Dec 15, 2015.
  14. ↑ "Schools & Kids". Caramoor Centre for Music and the Arts. 2015. Retrieved December 15, 2015.
  15. ↑ "Emerging Professionals". Caramoor Center for Music and the Arts. 2015. Retrieved Dec 15, 2015.
  16. ↑ "Food". Caramoor Centre for Music and the Arts. 2015. Retrieved December 15, 2015.
  17. ↑ "Weddings & Rentals". Caramoor Heart for Music and the Arts. 2015. Retrieved December 15, 2015.
  18. ↑ "Weddings". Caramoor Center for Music and the Arts. 2015. Retrieved December 15, 2015.

External links

  • Caramoor Center for Music and the Arts website

ruizshudy1964.blogspot.com

Source: https://yamm.finance/wiki/Caramoor_Center_for_Music_and_the_Arts.html

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